Bruno Mathsson Furniture Gallery Exhibit
Tuesday, November 1st, 2011Bruno Mathsson Furniture Gallery Exhibit

Bruno Mathsson Furniture Gallery Exhibit
The retrospective exhibition “Bruno Mathsson: Architect and Designer,” opening today at The Bard Graduate Center, consists of approximately 150 examples of furniture, photographs, architectural drawings and models installed chronologically on three floors. It’s a show that starts strong but peters out halfway through, a strikingly accurate metaphor of Mathsson’s own unstable projection as a designer over the course of the 20th century.
For the most part, Mathsson’s designs are solid, though far from ground breaking. They split the difference between inspired form and dutiful function, between a traditionally trained cabinetmaker’s desire to tinker and perfect, with design ideas distilled from more radical pioneers such as Marcel Breur, Alvar Aalto, Le Corbusier and the earlier example of Thonet. Mathsson was one of the main proponents of the Swedish Modern style that emerged in the 1930′s, and his pieces incorporate its distinctive characteristics, such as lightweight organic materials, use of clean simple lines, and a lack of overstyling — qualities echoed in the restrained, well-balanced, uniform nature of Swedish society itself. However, most of his designs fail to transcend the innovation of their construction, and are held firmly in the realm of technical prowess, disallowing them to become more essential design statements.
Bruno Mathsson Furniture Gallery Exhibit







